What "cinematic editing" actually means (and what it doesn't)
Rhythm, coverage and restraint — a practical look at what actually reads as cinematic.
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Journal
From the edit suite
Occasional, practical writing about editing, color and retouching — the kind of notes we wish someone had handed us when we started.
Skintones, saturation and the other tells of an amateur grade
The five habits that make a grade read as a filter, and the honest fix for each.
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Sharpening for print versus sharpening for screen
The different amounts a portrait needs depending on where it will actually live.
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